“It has been a great day with Lucy and Gregory. I felt very comfortable and got exactly what I hoped to learn during the day.’
Manuela Wirth, Co-President, Hauser & Wirth

Gregory Tingay, Studio Pottery’s Artistic Director

Background

Born in Zimbabwe, Gregory finished his education in England. He read Art History at Cambridge and was a Bendictine monk for 18 years.

Gregory has trained under some of the most distinguished potters of the 20th century. At Buckfast Abbey, he was apprenticed to Mary Boys-Adams (nee Gibson Horrocks), a pupil of Bernard Leach, and at Quarr Abbey, Molly Attrill was his mentor. Gregory worked and taught at Dartmouth Park Pottery in North London for ten years. Hauser and Wirth, Somerset, have selected him as their Artist in Residence the summer of 2019.

Teaching

Gregory’s background in the Leach tradition informs the teaching ethos of Studio Pottery London. We adopt the rigour and discipline of the historic pottery studios, and temper it with our gentle, nurturing approach, as we focus on building community as much as we do on building the individual’s pottery practice.

As an experienced teacher of fledgling potters, Gregory understands the great benefit of learning either on-one-one, or in small classes. Unlike most studios, at Studio Pottery London, our classes never exceed 6 potters. Gregory believes that under the close guidance of a kind, empathetic and firm teacher, learners will quickly develop a sound technique and grow in confidence.

In Gregory’s own words, teaching ought to build ‘a solid foundation of patient repetition and mastery of small detail so that mind, eye, heart and hand ultimately work as one. It is an holistic approach designed to ensure that the body when throwing is relaxed so that back and neck are not in tension and everything flows. Throwing on the wheel when taught well should become a joy and not a struggle’.

Practice

Gregory is particularly known for his sgraffito pattern-making.

www.gregorytingay.com

Lucy Attwood, Studio Pottery’s Director

Background

Having studied at The Courtauld Institute of Art Lucy Attwood worked at Christies Auction House managing Private Clients across eighty different sale categories. She then spent time at the Serpentine Galleries managing their patrons. Lucy has arranged international trips for collectors to Art Basel, Venice Biennale, Pakistan and India. Lucy specialises in Post War Contemporary Art, Studio Pottery and London House collections. In 2018, she established Pop Up Pots, a mobile pottery studio that has brought wheels and workshops to all manner of businesses and places, including Adidas, Instagram, Soho House and Daylesford.

Studio Pottery

On the back of her success with Pop Up Pots, Lucy co-founded Studio Pottery London with Gregory in 2019. As a potter herself, Lucy was keenly aware of the total lack of provision for potters in west and central London. With Studio Pottery London, Lucy and Gregory hope not only to provide a much needed space for creatives, but to grow a community and hub for ceramics.

Natalie Engelhorn, Studio Manager

A published author.
Recent UCL MA Art History postgraduate.
Born in Vienna, lived and studied in three countries and now calls north London her home.
A tattoo art historian with a developing love off ceramics.
Introduced to the studio through Christies Auction House.
Adores to cook.

David McGuire, Studio Technician

Five years ceramics.
Three years of technician experience; packing kilns, upkeep studio, making glazes being a good guy.
Secondary school St Collumb’s ceramics department.
Makes all things ceramic.
Favourite glaze is green.
Loves sugary treats.

Matilda Moreton, Lead Teacher

Matilda graduated from the ceramics department of Central St Martin’s College of Art and Design in 2004, with a degree showpiece called Liquid History, mapping the Thames through Central London. A series of ancient to modern ceramic techniques reflect each historical period. The fourth panel, depicting the Docklands and using digital print technology was purchased by CSM for the college collection.

After graduation Matilda has used digital print technology in a range of commissions for Health Care:

  1. 2005: South Wing, St. Pancras Hospital, London
  2. 2006-7: Blackett’s Group Practice, Darlington, Co. Durham
  3. 2008: Stoke Mandeville Hospital, Aylesbury, Bucks
  4. 2010: Royal Free Hospital, Hampstead, London
  5. 2011: Trees Residential Care Home, Highgate, London
  6. 2011: Coventry & Warwickshire University Hospitals, Coventry, W. Midlands
  7. 2018: Beatrice Place residential care home for elderly patients, Kensington

These projects all involved historical research of the locations and used archive photographs and maps as a starting point for the work, which was completed using digital print technology.

COMMISSION a unique ceramic artwork using personal photographs or relevant maps…

www.matildamoreton.com

Jago Poynter, Teacher

The Chelsea Potter.
Artist & Craftsman of Fine Ceramics London & Jingdezhen.
V&A cricketer and frequenter.

Freya Bramble Carter, Teacher

Inspired by nature.
Taught by her father Chris Bramble in West Hampstead.
Full-time potter for five years. But has been on the wheel from a very young age. Exhibit and tour work London and worldwide.
Artist residency in the Bahamas with Florence St George.

www.freyabramblecarter.com